Our Isles is a project founded by Angus D. Birditt & Lilly Hedley that
explores and celebrates the lives and landscape of the British countryside.
Our Isles is a project founded by Angus D. Birditt & Lilly Hedley that
explores and celebrates the lives and landscape of the British countryside.
Our Isles is a project founded by Angus D. Birditt & Lilly Hedley that
explores and celebrates the lives and landscape of the British countryside.
Our Isles is a project celebrating and preserving the rural life of the British Isles, exploring its food & drink, landscape, nature, art, craft, heritage and community.
Our Isles is a project celebrating and preserving the rural life of the British Isles, exploring its food & drink, landscape, nature, art, craft, heritage and community.
Our Isles is a project celebrating and preserving the rural life of the British Isles, exploring its food & drink, landscape, nature, art, craft, heritage and community.
A Sense of Food & Place
A Sense of Food & Place
The Making of Baron Bigod
Angus D. Birditt
Isles of Scilly
Discover Megan Gallacher, a photographer from Norfolk, who contributes her photography collection called 'En Noer' to Stories within Our Isles evoking the life and culture on the Isles of Scilly.
Kingston upon Hull
Explore Studio Kettle's designs in their contribution to Stories within Our Isles that promotes a deeper attachment to our belongings.
Seven Sisters
Shropshire
Angus D. Birditt visits Appleby's cheesemakers to see how they make their award-winning Cheshire.
Suffolk
Explore the article by Tanmay Saxena, designer & filmmaker, who designs sustainable, handmade clothes. 'Darker than' is Tanmay's collection of handmade clothes inspired by his response to the changing landscape and light of Seven Sisters in East Sussex.
Jess Wheeler, designer and ceramist, on where in the British Isles she gets the inspiration.
Powys
Lottie Hampson series entitled 'Still Here' traces her family history to the River Usk in Wales.
Peak District
Explore Joe Winstanley's Skai, a series of prints inspired by the landscape of the Peak District.
Cumbria
Explore Grania Howard's series of photography called Cob Culture. Taken during her travels across the British Isles, Grania captures the unique connection between travellers and their horses.
Powys
Honest agriculture
From his journey within the Dee Valley, Jac Williams ventures across fields and farms talking to and capturing the lives of Welsh farmers.
We often marvel at it's appearance, live and breathe on it, make homes and feed from it. But do we truly understand the lie of the land? The following words extracted from longer poems and accompanying photography attempt to capture the immense beauty, fragility and mysteriousness of our Isles.
This article by Angus D. Birditt was produced for Pasture for Life (PfL)
Meet Sophie Cumber, the Pasture for Life (PfL) Certified butcher, who heads the Bowhouse Butchery on the Balcaskie Estate. Angus D. Birditt interviews Sophie on how she got into butchery, and why the PfL is becoming increasingly important in the industry.
How and why did you get into butchery?
SC: I have always loved food. I grew up on a farm with a small shop that sold our meats, and every time the meat came back to us at the farm, I always wanted to know which cuts were what. I first got into butchery through doing a chef diploma, during which there was a butchery course, which I just loved. I wanted to know the process of food, the whole process.
My first job was in London at Jamie Oliver's Barbecoa, and after that I worked at Turner & George, which was more of a shop then just preparation at Barbecoa. Having worked there for a while, I then relocated to Fife, as I wanted to be closely connected to the farmer; learn more about the whole process and see first-hand the animals before they go to slaughter. I found working with the whole carcass makes you more focused to make the best of every animal.
Now I am at Bowhouse Butchery at Balcaskie Estate, I am able to be that direct link between the farmers and the consumers, both of whom I know very well.
"...what the ‘Pasture for Life’ stamp does for our meat at Bowhouse Butchery is set a standard, and by having that standard, we attract a number of chefs that want to work with us, plus the general public is getting more and more involved with what we are doing."
Tell us about the meat that you use, and how the ‘Pasture for Life’ certification helps in promoting your work?
SC: The meat that passes through here at Bowhouse Butchery is farmed locally on Balcaskie Farms. The animals graze on land that extends from the coast, over the lowlands, and up onto highlands, so they have a huge array of pasture and freedom to forage. All of the beef and lamb coming in from Balcaskie Farms is Pasture for Life Certified. I am also certified [as a butcher]. This means that both Balcaskie Farms and I represent what PfL is all about, maintaining high levels of food standards, whilst working towards being regenerative.
My part in the whole process is to choose the beast from Balcaskie Farms, so that’s visiting the farms and talking to Sam [Parsons], the estate manager. When I need an animal, I book them in with the abattoir, again local to us, which comes directly back to me here at Bowhouse Butchery. After hanging for four weeks or so, I break them down from start to finish, whether that’s cutting them down to size, making burgers or sausages. Again I use the whole animal. We sell the meat direct from here at Bowhouse Butchery, and a little to wholesale.
For a long time, people could say that ‘my meat is grass-fed’ with not much to prove it. But what the ‘Pasture for Life’ stamp does for our meat at Bowhouse Butchery is set a standard, and by having that standard, we attract a number of chefs that want to work with us, plus the general public is getting more and more involved with what we are doing. We work with great local chefs and places like James Ferguson at Kinneuchar Inn, Cellar in Anstruther, and the Harbour Café in Elie. The Pasture for Life certification just goes to show that grass-fed meat is the way forward on so many levels, especially when farming with traditional, native breeds.
Have you seen any trends in consumption over the time you’ve been in the industry?
SC: I’ve been a butcher for eight years, and even in that time, things have changed a lot. When I started, there were lots of people who were interested in breeds and where they came from, but not what the animal was fed or how it was raised. I think over the years people are now more likely to ask about the diet of the animal rather than the breed.
In terms of what people are buying now, there is a lot more variety of cuts nowadays, especially here at Bowhouse Butchery, as we break down the whole animal. A decade or so ago, it all got rather traditional with typical prime cuts like ribeye, sirloin and fillet, or people who wanted to braise and stew mince. My ethos is all about making the most of all of the carcass, so I try to promote other lesser-known cuts like the Denver steak, which is the muscle that comes out of the chuck (the shoulder), and is normally diced or cut like a streak. I’m sure we will start to see more and more different cuts become popular, similar to what we have seen with the flat iron steak. Look out for the Denver cut; if it’s raised correctly, you will have a wonderful marbled fat running through the meat and a deep rich flavour to it.
Bowhouse Butchery
Interview & photographs by Angus D. Birditt | @ourisles
The article and photographs were produced for Pasture for Life (PfL)